{"id":203,"date":"2026-02-23T18:54:14","date_gmt":"2026-02-23T18:54:14","guid":{"rendered":"https:\/\/wp.tikvahchadashah.org\/?page_id=203"},"modified":"2026-03-09T04:07:16","modified_gmt":"2026-03-09T04:07:16","slug":"book-club-history","status":"publish","type":"page","link":"https:\/\/wp.tikvahchadashah.org\/?page_id=203","title":{"rendered":"Book Club History"},"content":{"rendered":"\n
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2026<\/p>\n<\/div>\n\n\n\n

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Title<\/p>\n<\/div>\n\n\n\n

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Author<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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As a Jew: Reclaiming Our Story from Those Who Blame, Shame, and Try to Erase Us<\/em><\/em><\/p>\n<\/div>\n\n\n\n

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Sarah Hurwitz<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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Heart of a Stranger: An Unlikely Rabbi’s Story of Faith, Identity, and Belonging<\/em><\/p>\n<\/div>\n\n\n\n

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Angela Buchdahl<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland<\/em><\/p>\n<\/div>\n\n\n\n

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Michelle Young<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2025<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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Horse<\/em><\/p>\n<\/div>\n\n\n\n

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Geraldine Brooks<\/p>\n<\/div>\n<\/div>\n\n\n\n

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October<\/p>\n<\/div>\n\n\n\n

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It’s OK to Be Angry about Capitalism<\/em><\/p>\n<\/div>\n\n\n\n

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Bernie Sanders<\/p>\n<\/div>\n<\/div>\n\n\n\n

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September<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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August<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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July<\/p>\n<\/div>\n\n\n\n

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The 100-year-old Man Who Climbed Out the Window and Disappeared<\/em><\/p>\n<\/div>\n\n\n\n

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Jonas Jonasson<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

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Sempre Susan: A Memoir of Susan Sontag<\/em><\/p>\n<\/div>\n\n\n\n

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Sigrid Nunez<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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Again and Again<\/em><\/p>\n<\/div>\n\n\n\n

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Jonathan Evison<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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An Unfinished Love Story: A Personal History of the 1960s<\/em><\/p>\n<\/div>\n\n\n\n

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Doris Kearns Goodwin<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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James<\/em><\/p>\n<\/div>\n\n\n\n

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Percival Everett<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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Morality: Restoring the Common Good in Divided Times<\/em><\/p>\n<\/div>\n\n\n\n

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Jonathan Sacks<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2024<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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The Only Woman in the Room<\/em><\/p>\n<\/div>\n\n\n\n

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Marie Benedict<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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October<\/p>\n<\/div>\n\n\n\n

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Kizuna Coast<\/em><\/p>\n<\/div>\n\n\n\n

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Sujata Massey<\/p>\n<\/div>\n<\/div>\n\n\n\n

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September<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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August<\/p>\n<\/div>\n\n\n\n

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Facing the Mountain<\/em><\/p>\n<\/div>\n\n\n\n

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Daniel James Brown<\/p>\n<\/div>\n<\/div>\n\n\n\n

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July<\/p>\n<\/div>\n\n\n\n

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The Garden of Evening Mists<\/em><\/p>\n<\/div>\n\n\n\n

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Tan Twan Eng<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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How to Become an American: A History of Immigration, Assimilation, and Loneliness<\/em><\/p>\n<\/div>\n\n\n\n

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Daniel Wolff<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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The Heaven and Earth Grocery Store<\/em><\/p>\n<\/div>\n\n\n\n

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James McBride<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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Soil: The Story of A Black Mother’s Garden<\/em><\/p>\n<\/div>\n\n\n\n

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Camille Dungy<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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Trust<\/em><\/p>\n<\/div>\n\n\n\n

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Herman Diaz<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2023<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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Better Living Through Birding: Notes from a Black Man in the Natural World<\/em><\/p>\n<\/div>\n\n\n\n

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Christian Cooper<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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October<\/p>\n<\/div>\n\n\n\n

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The Covenant of Water<\/em><\/p>\n<\/div>\n\n\n\n

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Abraham Verghese<\/p>\n<\/div>\n<\/div>\n\n\n\n

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September<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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August<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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July<\/p>\n<\/div>\n\n\n\n

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Lost and Found<\/em><\/p>\n<\/div>\n\n\n\n

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Kathryn Schulz<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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Lessons in Chemistry<\/em><\/p>\n<\/div>\n\n\n\n

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Bonnie Garmus<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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With the End in Mind: Dying, Death and Wisdom in an Age of Denial<\/em><\/p>\n<\/div>\n\n\n\n

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Kathryn Mannix<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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Astonish Me<\/em><\/p>\n<\/div>\n\n\n\n

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Maggie Shipstead<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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Agent Josephine<\/em><\/p>\n<\/div>\n\n\n\n

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Damien Lewis<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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The House of Broken Angels<\/em><\/p>\n<\/div>\n\n\n\n

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Louis Alberto Urrea<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2022<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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The Summer of the Great Grandmother<\/em><\/p>\n<\/div>\n\n\n\n

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Madeleine L’Engle<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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October<\/p>\n<\/div>\n\n\n\n

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Where’d You Go, Bernadette<\/em><\/p>\n<\/div>\n\n\n\n

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Maria Semple<\/p>\n<\/div>\n<\/div>\n\n\n\n

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September<\/p>\n<\/div>\n\n\n\n

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The Last Kings of Shanghai: The Rival Jewish Dynasties That Helped Create Modern China<\/em><\/p>\n<\/div>\n\n\n\n

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Jonathan Kaufman<\/p>\n<\/div>\n<\/div>\n\n\n\n

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August<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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July<\/p>\n<\/div>\n\n\n\n

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The Bar Mitzvah and the Beast: One Family’s Crosscountry Ride of Passage by Bike<\/em><\/p>\n<\/div>\n\n\n\n

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Matt Biers-Ariel<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

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Cloud Cuckoo Land<\/em><\/p>\n<\/div>\n\n\n\n

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Anthony Doerr<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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These Precious Days<\/em><\/p>\n<\/div>\n\n\n\n

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Ann Patchett<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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The Lincoln Highway<\/em><\/p>\n<\/div>\n\n\n\n

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Amor Towles<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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21 Lessons for the 21st Century<\/em><\/p>\n<\/div>\n\n\n\n

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Yuval Noah Harari<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2021<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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The Vanishing Half<\/em><\/p>\n<\/div>\n\n\n\n

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Brit Bennett<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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October<\/p>\n<\/div>\n\n\n\n

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The Choice<\/em><\/p>\n<\/div>\n\n\n\n

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Edith Eva Eger<\/p>\n<\/div>\n<\/div>\n\n\n\n

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September<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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August<\/p>\n<\/div>\n\n\n\n

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The Thursday Murder Club<\/em><\/p>\n<\/div>\n\n\n\n

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Richard Osman<\/p>\n<\/div>\n<\/div>\n\n\n\n

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July<\/p>\n<\/div>\n\n\n\n

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Homeland Elegies: A Novel<\/em><\/p>\n<\/div>\n\n\n\n

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Ayad Akhtar<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

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Half Broke<\/em><\/p>\n<\/div>\n\n\n\n

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Ginger Gaffney<\/p>\n<\/div>\n<\/div>\n\n\n\n

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May<\/p>\n<\/div>\n\n\n\n

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Joseph Chapman: My Molly Life<\/em><\/p>\n<\/div>\n\n\n\n

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James Lovejoy<\/p>\n<\/div>\n<\/div>\n\n\n\n

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April<\/p>\n<\/div>\n\n\n\n

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The Righteous Mind<\/em><\/p>\n<\/div>\n\n\n\n

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Jonathan Haidt<\/p>\n<\/div>\n<\/div>\n\n\n\n

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March<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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February<\/p>\n<\/div>\n\n\n\n

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Memorial<\/em><\/p>\n<\/div>\n\n\n\n

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Bryan Washington<\/p>\n<\/div>\n<\/div>\n\n\n\n

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January<\/p>\n<\/div>\n\n\n\n

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Caste: The Origins of Our Discontents<\/em><\/p>\n<\/div>\n\n\n\n

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Isabelle Wilkerson<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2020<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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November<\/p>\n<\/div>\n\n\n\n

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A Tale for the Time Being<\/em><\/p>\n<\/div>\n\n\n\n

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Ruth Ozeki<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

October<\/p>\n<\/div>\n\n\n\n

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The Alice Network<\/em><\/p>\n<\/div>\n\n\n\n

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Kate Quinn<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

September<\/p>\n<\/div>\n\n\n\n

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A Backpack, a Bear, and Eight Crates of Vodka: A Memoir<\/em><\/p>\n<\/div>\n\n\n\n

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Lev Golinkin<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

August<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

July<\/p>\n<\/div>\n\n\n\n

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Bad Blood<\/em><\/p>\n<\/div>\n\n\n\n

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Jonathan Carreyrou<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

\n

Lillian Boxfish Takes a Walk<\/em><\/p>\n<\/div>\n\n\n\n

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Kathleen Rooney<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

May<\/p>\n<\/div>\n\n\n\n

\n

Love in the Time of Cholera<\/em><\/p>\n<\/div>\n\n\n\n

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Gabriel Garc\u00eda M\u00e1rquez<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Education of an Idealist<\/em><\/p>\n<\/div>\n\n\n\n

\n

Samantha Power<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

March<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

February<\/p>\n<\/div>\n\n\n\n

\n

The Library Book<\/em><\/p>\n<\/div>\n\n\n\n

\n

Susan Orlean<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

January<\/p>\n<\/div>\n\n\n\n

\n

The Topeka School<\/em><\/p>\n<\/div>\n\n\n\n

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Ben Lerner<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

2019<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

December<\/p>\n<\/div>\n\n\n\n

\n

The Sense of an Ending<\/em><\/p>\n<\/div>\n\n\n\n

\n

Julian Barnes<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

How to Change Your Mind<\/em><\/p>\n<\/div>\n\n\n\n

\n

Michael Pollan<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

September<\/p>\n<\/div>\n\n\n\n

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Pachinko<\/em><\/p>\n<\/div>\n\n\n\n

\n

Min Jin Lee<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

August<\/p>\n<\/div>\n\n\n\n

\n

Educated<\/em><\/p>\n<\/div>\n\n\n\n

\n

Tara Westover<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

July<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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June<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

Less<\/em><\/p>\n<\/div>\n\n\n\n

\n

Andrew Sean Greer<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

Sapiens<\/em><\/p>\n<\/div>\n\n\n\n

\n

Yuval Noah Harari<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

Murder in the Melting Pot<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jane Isenberg<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

The Cooking Gene<\/em><\/p>\n<\/div>\n\n\n\n

\n

Michael Twitty<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2018<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

The Heart’s Invisible Furies<\/em><\/p>\n<\/div>\n\n\n\n

\n

John Boyner<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

The Return<\/em><\/p>\n<\/div>\n\n\n\n

\n

Hisham Matar<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

The Weight of Ink<\/em><\/p>\n<\/div>\n\n\n\n

\n

Rachel Kadish<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

The Line of Beauty<\/em><\/p>\n<\/div>\n\n\n\n

\n

Alan Hollinghurst<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

Homegoing<\/em><\/p>\n<\/div>\n\n\n\n

\n

Yaa Gyasi<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Immortalists<\/em><\/p>\n<\/div>\n\n\n\n

\n

Chloe Benjamin<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

A Gentleman in Moscow<\/em><\/p>\n<\/div>\n\n\n\n

\n

Amor Towles<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

Let There Be Laughter<\/em><\/p>\n<\/div>\n\n\n\n

\n

Michael Krasny<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2017<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

The Story of a Marriage<\/em><\/p>\n<\/div>\n\n\n\n

\n

Andrew S. Greer<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

You Don’t Have to Say You Love Me: A Memoir<\/em><\/p>\n<\/div>\n\n\n\n

\n

Sherman Alexie<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

Out of Egypt: A Memoir<\/em><\/p>\n<\/div>\n\n\n\n

\n

Andre Aciman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Are You Anybody<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jeffrey Tambor<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

The Turner House<\/em><\/p>\n<\/div>\n\n\n\n

\n

Angela Flournoy<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Underground Railroad<\/em><\/p>\n<\/div>\n\n\n\n

\n

Colson Whitehead<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

The Great Fire<\/em><\/p>\n<\/div>\n\n\n\n

\n

Shirley Hazzard<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong<\/em><\/p>\n<\/div>\n\n\n\n

\n

James W. Loewen<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2016<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

A Man Called Ove<\/em><\/p>\n<\/div>\n\n\n\n

\n

Fredrik Backman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

The Underground Girls of Kabul<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jenny Nordberg<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

The Blackwater Lightship<\/em><\/p>\n<\/div>\n\n\n\n

\n

Colm Toibin<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Lab Girl<\/em><\/p>\n<\/div>\n\n\n\n

\n

Hope Jahren<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

We’re All Completely Beside Ourselves<\/em><\/p>\n<\/div>\n\n\n\n

\n

Karen Joy Fowler<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

Not in God’s Name<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jonathan Sacks<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

The Absolutely True Diary of a Part-Time Indian<\/em><\/p>\n<\/div>\n\n\n\n

\n

Sherman Alexie<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

On the Move: A Life<\/em><\/p>\n<\/div>\n\n\n\n

\n

Oliver Sacks<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2015<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

Euphoria<\/em><\/p>\n<\/div>\n\n\n\n

\n

Lily King<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

All the Light We Cannot See<\/em><\/p>\n<\/div>\n\n\n\n

\n

Anthony Doerr<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

Heretic: Why Islam Needs a Reformation Now<\/em><\/p>\n<\/div>\n\n\n\n

\n

Ayaan Hirsi Ali<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Being Mortal<\/em><\/p>\n<\/div>\n\n\n\n

\n

Atul Gwande<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

An Officer and a Spy<\/em><\/p>\n<\/div>\n\n\n\n

\n

Robert Harris<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

Bettyville<\/em><\/p>\n<\/div>\n\n\n\n

\n

George Hodgman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

Let’s Take the Long Way Home<\/em><\/p>\n<\/div>\n\n\n\n

\n

Gail Caldwell<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

Native Seattle: Histories from the Crossing-Over Place<\/em><\/p>\n<\/div>\n\n\n\n

\n

Coll Thrush<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2014<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

A Passage to India<\/em><\/p>\n<\/div>\n\n\n\n

\n

E.M. Forster<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

Do You Remember Me?<\/em><\/p>\n<\/div>\n\n\n\n

\n

Judith Levine<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

The Boys in the Boat<\/em><\/p>\n<\/div>\n\n\n\n

\n

Daniel James Brown<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Love and Treasure<\/em><\/p>\n<\/div>\n\n\n\n

\n

Ayelet Waldman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

For All of Us, One Today: An Inaugural Poet’s Journey<\/em><\/p>\n<\/div>\n\n\n\n

\n

Richard Blanco<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

My Promised Land<\/em><\/p>\n<\/div>\n\n\n\n

\n

Avi Shavit<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

Dressed for Death<\/em><\/p>\n<\/div>\n\n\n\n

\n

Donna Leon<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

The Family: A Journey Into the Heart of the Twentieth Century<\/em><\/p>\n<\/div>\n\n\n\n

\n

David Laskin<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2013<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

Short Nights of the Shadow Catcher<\/em><\/p>\n<\/div>\n\n\n\n

\n

Timothy Egan<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

The Tiger’s Wife<\/em><\/p>\n<\/div>\n\n\n\n

\n

Tea Obreht<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

The Last Chinese Chef<\/em><\/p>\n<\/div>\n\n\n\n

\n

Nicole Mones<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Stories for Boys<\/em><\/p>\n<\/div>\n\n\n\n

\n

Gregory Martin<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

Hotel on the Corner of Bitter and Sweet
When the Emperor Was Divine<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jamie Ford
Julie Otsuka<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Assault<\/em><\/p>\n<\/div>\n\n\n\n

\n

Harry Mulisch<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

The Bones and the Book<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jane Isenberg<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

Confessions of a Failed Southern Lady<\/em><\/p>\n<\/div>\n\n\n\n

\n

Florence King<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

In the Garden of the Beasts<\/em><\/p>\n<\/div>\n\n\n\n

\n

Erik Larson<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2012<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

My Stroke of Insight<\/em><\/p>\n<\/div>\n\n\n\n

\n

Jill Bolte Taylor<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

The Submission<\/em><\/p>\n<\/div>\n\n\n\n

\n

Amy Waldman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

The Fault in Our Stars<\/em><\/p>\n<\/div>\n\n\n\n

\n

John Green<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

Are You My Mother? A Comic Drama<\/em><\/p>\n<\/div>\n\n\n\n

\n

Alison Bechdel<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

Like Me<\/em><\/p>\n<\/div>\n\n\n\n

\n

Cheryl Wright<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

The Hare with Amber Eyes<\/em><\/p>\n<\/div>\n\n\n\n

\n

Edmund de Waal<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

The Elegance of the Hedgehog<\/em><\/p>\n<\/div>\n\n\n\n

\n

Muriel Barbery<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

To the End of the Land<\/em><\/p>\n<\/div>\n\n\n\n

\n

David Grossman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

The Guernsey Literary and Potato Peel Pie Society<\/em><\/p>\n<\/div>\n\n\n\n

\n

Mary Ann Shaffer and Annie Barrows<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2011<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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December<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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November<\/p>\n<\/div>\n\n\n\n

\n

Dovekeepers<\/em><\/p>\n<\/div>\n\n\n\n

\n

Alice Hoffman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

Zeitoun<\/em><\/p>\n<\/div>\n\n\n\n

\n

Dave Eggers<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

Annie’s Ghosts<\/em><\/p>\n<\/div>\n\n\n\n

\n

Steve Luxemburg<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

The Jew Store<\/em><\/p>\n<\/div>\n\n\n\n

\n

Stella Suberman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

Hot, Flat and Crowded<\/em><\/em><\/p>\n<\/div>\n\n\n\n

\n

Thomas Friedman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

A Lily of the Field<\/em><\/p>\n<\/div>\n\n\n\n

\n

John Lawton<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Lacuna<\/em><\/p>\n<\/div>\n\n\n\n

\n

Barbara Kingsolver<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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March<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

Dreamers of the Day<\/em><\/p>\n<\/div>\n\n\n\n

\n

Mary Doria Russell<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

Sarah’s Key<\/em><\/p>\n<\/div>\n\n\n\n

\n

Tatiana de Rosnay<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2010<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

Shanghai Moon<\/em><\/p>\n<\/div>\n\n\n\n

\n

S.J. Rozen<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

Rashi’s Daughters, Book I: Joheved<\/em><\/p>\n<\/div>\n\n\n\n

\n

Maggie Anton<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

Cutting for Stone<\/em><\/p>\n<\/div>\n\n\n\n

\n

Abraham Verghese<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

July<\/p>\n<\/div>\n\n\n\n

\n

Miscellaneous Deductions (a play)<\/em><\/p>\n<\/div>\n\n\n\n

\n

Roy Hamrick<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

The Immortal Life of Henrietta Lacks<\/em><\/p>\n<\/div>\n\n\n\n

\n

Rebecca Skloots<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

Jewish with Feeling: A Guide to Meaningful Jewish Practice<\/em><\/p>\n<\/div>\n\n\n\n

\n

Rabbi Zalman Schachter-Shalomi<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

March<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

The Kill Artist<\/em><\/p>\n<\/div>\n\n\n\n

\n

Daniel Silva<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

The Zookeeper’s Wife: A War Story<\/em><\/p>\n<\/div>\n\n\n\n

\n

Diane Ackerman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2009<\/strong><\/p>\n<\/div>\n\n\n\n

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Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n

December<\/p>\n<\/div>\n\n\n\n

\n

Fun Home: A Family Tragicomic<\/em><\/p>\n<\/div>\n\n\n\n

\n

Alison Bechdel<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

Exodus<\/em><\/p>\n<\/div>\n\n\n\n

\n

Leon Uris<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

Wrestling with God & Men: Homosexuality in the Jewish Tradition<\/em><\/p>\n<\/div>\n\n\n\n

\n

Rabbi Steven Greenberg<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

A Tale of Love and Darkness<\/em><\/p>\n<\/div>\n\n\n\n

\n

Amos Oz<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

When You Lie About Your Age the Terrorists Win: Reflections on Looking in the Mirror<\/em><\/p>\n<\/div>\n\n\n\n

\n

Carol Leifer<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

A Thread of Grace<\/em><\/p>\n<\/div>\n\n\n\n

\n

Mary Doria Russell<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

The Yiddish Policeman’s Union<\/em><\/p>\n<\/div>\n\n\n\n

\n

Michael Chabon<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

The Great Man<\/em><\/p>\n<\/div>\n\n\n\n

\n

Kate Christensen<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

The History of Love<\/em><\/p>\n<\/div>\n\n\n\n

\n

Nicole Kraus<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2008<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

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Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

The Book Thief<\/em><\/p>\n<\/div>\n\n\n\n

\n

Markus Zusak<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

The Light Within: The Extraordinary Friendship of a Doctor and Patient Brought Together by Cancer<\/em><\/p>\n<\/div>\n\n\n\n

\n

Lois M. Ramondetta and Deborah Sills<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

The World to Come<\/em><\/p>\n<\/div>\n\n\n\n

\n

Dara Horn<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

People of the Book<\/em><\/p>\n<\/div>\n\n\n\n

\n

Geraldine Brooks<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

June<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

May<\/p>\n<\/div>\n\n\n\n

\n

Will the Circle Be Unbroken: Reflections on Death, Rebirth, and Hunger for a Faith<\/em><\/p>\n<\/div>\n\n\n\n

\n

Studs Terkel<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

April<\/p>\n<\/div>\n\n\n\n

\n

An Island Called Home: Returning to Jewish Cuba<\/em><\/p>\n<\/div>\n\n\n\n

\n

Ruth Baher<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

March<\/p>\n<\/div>\n\n\n\n

\n

Away<\/em><\/p>\n<\/div>\n\n\n\n

\n

Amy Bloom<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

February<\/p>\n<\/div>\n\n\n\n

\n

Writing a Jewish Life<\/em><\/p>\n<\/div>\n\n\n\n

\n

Lev Raphael<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

January<\/p>\n<\/div>\n\n\n\n

\n

The Trouble with Islam Today: A Muslim’s Call for Reform in Her Faith<\/em><\/p>\n<\/div>\n\n\n\n

\n

Irshad Manji<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

2007<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Title<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Author<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

December<\/p>\n<\/div>\n\n\n\n

\n

The Far Euphrates<\/em><\/p>\n<\/div>\n\n\n\n

\n

Aryeh Lev Stollman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

November<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

October<\/p>\n<\/div>\n\n\n\n

\n

Disobedience<\/em><\/p>\n<\/div>\n\n\n\n

\n

Naomi Alderman<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

September<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

August<\/p>\n<\/div>\n\n\n\n

\n

Lost in America<\/em><\/p>\n<\/div>\n\n\n\n

\n

Sherwin Nuland<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

July<\/p>\n<\/div>\n\n\n\n

\n

The Genizah at the House of Sepher<\/em><\/p>\n<\/div>\n\n\n\n

\n

Tamar Yellin<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

2026 Title Author May As a Jew: Reclaiming Our Story from Those Who Blame, Shame, and Try to Erase Us Sarah Hurwitz April March Heart of a Stranger: An Unlikely Rabbi’s Story of Faith, Identity, and Belonging Angela Buchdahl February January The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland Michelle […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-203","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/pages\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=203"}],"version-history":[{"count":60,"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/pages\/203\/revisions"}],"predecessor-version":[{"id":477,"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=\/wp\/v2\/pages\/203\/revisions\/477"}],"wp:attachment":[{"href":"https:\/\/wp.tikvahchadashah.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}